The story revolves around two items, a rare set of 18th-century Limoges china, as well as a 19th century noble portrait. As these items are passed, marketed, or stolen from one personality to an additional, a giddy round dancing of excess starts to materialize, one which recommends that if history doesn't duplicate itself, it absolutely rhymes. Together with co-writer Gérard Brach, whose other co-writing debts include Repulsion and Tess, Otar Iosseliani uses a feather-light touch to reveal the futility of class as well as caste, making a bagatelle of the issues of rich as well as poor alike.
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The story revolves around two items, a rare set of 18th-century Limoges china, as well as a 19th century noble portrait. As these items are passed, marketed, or stolen from one personality to an additional, a giddy round dancing of excess starts to materialize, one which recommends that if history doesn't duplicate itself, it absolutely rhymes. Together with co-writer Gérard Brach, whose other co-writing debts include Repulsion and Tess, Otar Iosseliani uses a feather-light touch to reveal the futility of class as well as caste, making a bagatelle of the issues of rich as well as poor alike.
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