A female embezzler arrives at the Bates Motel, which has its own dark secrets. With Gus Van Sant's camera movements and editing often mimicking Hitchcock's, Joseph Stefano's script is essentially carried over. Danny Elfman rearranged Bernard Herrmann's musical score, which is also recorded in stereo.
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A female embezzler arrives at the Bates Motel, which has its own dark secrets. With Gus Van Sant's camera movements and editing often mimicking Hitchcock's, Joseph Stefano's script is essentially carried over. Danny Elfman rearranged Bernard Herrmann's musical score, which is also recorded in stereo.
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