Marty (Alfred Molina) is a down-and-out jazz musician with colorful desire for succeeding, however right now he's residing on the side and also making small cash by giving music lessons to people that don't seem to want them. His in some cases sweetheart, Sheila (Maggie O'Neill), is a barmaid at the Rose of Sharon, a neighborhood pub had by the cranky Frank (Seymour Cassel). Eventually Sheila takes an old shaking chair out of the bar's storage as well as gives it to Marty; he after that uncovers that the chair is haunted by two ghosts, a middle-aged female named Lilly (Marianne Faithfull) and a precocious little woman called Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, yet Lilly is contemporary. These easygoing hearts show up to Marty and enliven his life with non-threatening pranks, yet points transform serious when Marty finds Lilly was Frank's wife, that killed her in a fit of craze. With the help of the mortal, the ghosts prepare vengeance.
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Marty (Alfred Molina) is a down-and-out jazz musician with colorful desire for succeeding, however right now he's residing on the side and also making small cash by giving music lessons to people that don't seem to want them. His in some cases sweetheart, Sheila (Maggie O'Neill), is a barmaid at the Rose of Sharon, a neighborhood pub had by the cranky Frank (Seymour Cassel). Eventually Sheila takes an old shaking chair out of the bar's storage as well as gives it to Marty; he after that uncovers that the chair is haunted by two ghosts, a middle-aged female named Lilly (Marianne Faithfull) and a precocious little woman called Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, yet Lilly is contemporary. These easygoing hearts show up to Marty and enliven his life with non-threatening pranks, yet points transform serious when Marty finds Lilly was Frank's wife, that killed her in a fit of craze. With the help of the mortal, the ghosts prepare vengeance.
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