All of Osayande's relatives are concerned about Isoken's welfare. Isoken, who is 34 and gorgeous, accomplished, and surrounded by a loving family and friends, is still single, which is a severe problem in a country that values marriage. When her demanding mother forces her to play matchmaker for the quintessential Edo man, Osaze, at her youngest sister's wedding, everything comes to a head. Osaze is a good-looking, successful, and well-bred Nigerian man who would make a wonderful spouse. When Isoken meets Kevin, she discovers that he may be exactly what she's been looking for in a long-term relationship. The only problem is that he is Oyinbo, not Edo (Caucasian). A love dramedy, Isoken explores cultural expectations, racial stereotypes, and the ties that bind families in a sympathetic, dramatic, and hilarious manner.
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All of Osayande's relatives are concerned about Isoken's welfare. Isoken, who is 34 and gorgeous, accomplished, and surrounded by a loving family and friends, is still single, which is a severe problem in a country that values marriage. When her demanding mother forces her to play matchmaker for the quintessential Edo man, Osaze, at her youngest sister's wedding, everything comes to a head. Osaze is a good-looking, successful, and well-bred Nigerian man who would make a wonderful spouse. When Isoken meets Kevin, she discovers that he may be exactly what she's been looking for in a long-term relationship. The only problem is that he is Oyinbo, not Edo (Caucasian). A love dramedy, Isoken explores cultural expectations, racial stereotypes, and the ties that bind families in a sympathetic, dramatic, and hilarious manner.
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