During his dying days, we are with Pasolini as he speaks with his loved ones and friends, writes, gives a brutally honest interview, enjoys a lunch with Ninetto Davoli, and cruises for the rougher of the rough trade in his gun-metal gray Alfa Romeo. In this action-adventure, Pasolini's life and art (represented by scenes from his films, his novel Petrolio in process, and his upcoming film Porno-Teo-Kolossal) are constantly refracted and interwoven to the point where they are fused together as if by magic.
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During his dying days, we are with Pasolini as he speaks with his loved ones and friends, writes, gives a brutally honest interview, enjoys a lunch with Ninetto Davoli, and cruises for the rougher of the rough trade in his gun-metal gray Alfa Romeo. In this action-adventure, Pasolini's life and art (represented by scenes from his films, his novel Petrolio in process, and his upcoming film Porno-Teo-Kolossal) are constantly refracted and interwoven to the point where they are fused together as if by magic.
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