A liberated young lady and her older husband who suspects she is having an affair in Dulac's earliest known work, LA CIGARETTE, relate to a true postwar masculinity issue in postwar France. He creates friction between modernity/antiquity, life/death, masculinity/femininity through cinematic-specific techniques, editing, and more.
Read full
A liberated young lady and her older husband who suspects she is having an affair in Dulac's earliest known work, LA CIGARETTE, relate to a true postwar masculinity issue in postwar France. He creates friction between modernity/antiquity, life/death, masculinity/femininity through cinematic-specific techniques, editing, and more.
Discussion